You can ask me to send you this movie which was shipped to me with the precise purpose of passing it on. See here
About me
I'm a French lover of Indian cinema, but I'm also interested in literature, science, art, and reflection in general. This blog will
reflect these tastes more or less!
Strange that it was Jagmohan Mundhra (of the fame of Sexual Malice and other cheap erotic thrillers) who was fortunate enough to have been able to shoot this story, the true story of a ...
Paying guest by Subodh Mukherji (1957) is not completely worth its two and a half hours of watching: it’s just another 2nd class romantic comedy with elements of drama and thriller. It ...
The white tiger is a rare genetic variation of the normally ochre-skinned feline that is both feared and respected as the king of animals in Asia. But it’s also a 2008 novel by Aravind Adiga ...
("Make way for Queen Victoria!") Shatranj ke Khilari (1977, The chess players) shows how close Satyajit Ray has come to Shakespearian inspiration. In this story of two gentlemen of Lucknow we ...
I was first informed of Saudagar (« the trader » 1973), by Sudhendu Roy, through Carla and given my unruly interest for Nutan, and my unabated appreciation of Big B, I decided that I ...
Sagina (1974), a hindi remake of the bengali Sagina Mahato, shot by the same director (Tapan Sinha) four years before, is a reflexion on work exploitation, oppression and revolution. The story ...
Sagar Sarhadi has only directed one movie, and otherwise is known for having worked as Yash Chopra’s screenplay writer. This movie, Bazaar, (1982) supposedly belongs to “New Indian Cinema”, ...
In Sujata (The well-born, 1959), Bimal Roy has made the untouchable touching, adorable an object of disgust, and visible a pit of darkness. I’m not saying that he has made THE unique Dalit movie ...
Anari (1959), by Hrishikesh Mukherjee, in spite of its numerous defects, represents a compromise between the quality cinema strain started by Raj Kapoor, and its commercial exploitation. The ...
Taare zameen par (2007) was Aamir Khan’s début movie as director; and for a “beginner’s” movie, it’s a rather good one. Does this sound rather bland? Yes, I admit, from the point of view of ...
R.K. Narayan’s short novel The vendor of sweets (1967) is the story of a wise man, called Jagan, who lives in the narayanian town of Malgudi and prospers by selling quality sweetmeats ...
Yash Chopra’s “Kabhie kabhie” (1976) was for me like a distant reference, a movie many people had seen and loved back in the exotic seventies, and so, I knew I would have to see it one day. And ...
I happened to watch Brick Lane (2007, by Sarah Gavron) recently, a movie based on the acclaimed book by Monica Ali. It’s a well-made, well balanced film about emigration and multiculturalism, to ...
Memories of rain, by Sunetra Gupta (1993) is a dark jewel of a book, a sombre and dense memorial stone made of darkness and yearning, frustration and anger. We are inside a sort of cenotaph: a ...
This is a rewriting of a post dated April 4, 2007. The blog output is so low these days that I am resorting to rewrites! ( in fact, I’m busy with other things...) I don’t know if you’re ...
Roja is an excellent little movie made by Mani Ratnam back in 1992, starring Arvind Swami and Madhoo (Raghunath); it was a real pleasure to watch another of Mani Ratnam’s works. His ...
This stunning little movie (65 minutes) made in 1989 by Nabyendu Chatterjee, who died recently (2005) tells the story of Laxmi (pronounced Loki), a Bengali village woman whose husband fell from ...
Basant (1960) is a loony movie where what you see is more important than what you understand. There is a story, sort of, (tolerably interesting in the first half but totally zany in the second!) ...
“Vishvam (Naseeruddin Shah) is one of four brothers who rule their feudal village in pre-independence India with an iron grip. They execute various criminal schemes to increase their own ...
I recently heard a journalist ask the question « Is Bollywood nothing more than a cinema made for India, or is there something universal about it?” – and I thought this question deserved a ...
For me the yearly Cannes festival is not much more than an industry's self-celebration which is probably best left unwatched, but these days, it’s difficult to miss Cannes photos and interviews ...
I remember feeling annoyed when, a few years ago, somebody to whom I was voicing my pleasure at recently discovered Bollywood movies, bluntly told me: “oh yes, but Indian movies now… you want to ...
This 1958 film, Satyajit Ray’s fourth, might seem to us, 50 years away from it, a strange and slow vestige of a time when the cinema was sadly deprived of the wizardry we now love so much in it. ...
Aakrosh (1980) by Govind Nihalani (whose first film it was, and who had won acclaim as Shyam Benegal’s photographer) is a sparsely told parable about the foundation of justice: should men ...
Dilli ka thug (1958) might be tossed aside as a jumble of loosely connected narrative titbits that have been put together for two main purposes: Kishore Kumar’s clowning, and Nutan’s youthful ...
Khaled Hosseini is not an Indian writer, but an Afghan-American writer. But having read The kite runner (2003), I wanted to include my review of it here, because it’s a book about the region, and ...
Mother India…That title resonates like everything a Bollywood-lover should pine for: aren’t we all somehow in love with Bharat mata? Aren’t we all her children up to some extent? As for me, I’d ...
I don’t know how many of Raj Kapoor’s movies are called “his best”. This one belongs to that collection, judging by most IMDb user comments (on the other hand, very few bloggers have ...
The critical fame of Teesri Kasam, the 1966 film by Basu Bhattacharya, starring Raj Kapoor and Waheeda Rehman, is absolutely justified; it’s a tale of love and sadness, of beauty and ...
« Meenaxi, tale of three cities » by M.F. Husain (2004), is exactly that, a Bollywoodian befuddlement. The film is a pathetic attempt at building “something else” than a traditional ...
Well! I’m pleased to announce that I too have escalated the Everest… Er, I mean I finally read Vikram Seth’s 1472 page novel “A suitable boy”, and that it has been a fascinating experience: ...
While I was reading about Satyajit Ray’s Charulata (1964), and thinking of Pakeezah (1972), critics mentioned Abrar Alvi's (or Guru Dutt’s - he apparently was almost as much behind the camera) ...
Yash Chopra… Say this name and immediately vast landscapes appear, green slopes where lovers mirror their gaze in the other’s eyes, enchanting music lifts up a crowd of spring birds, dark men ...
What attracts one to Juhi Chawla is her absolutely irresistible smile. Okay, she was “only” a Miss India (1984), but frankly, Yash Chopra’s idea to cast her as Shahruhk Khan’s idol in Darr is ...
The Stranger (1991) is an atomic experiment. Satyajit Ray imagines what might happen when a normal urban family of three (the target) is bombarded with a high-energy free electron in the shape ...
Here’s another beginner – after Aag – Shyam Benegal’s first long feature film shot in 1973, after he had finally got enough appraisal for his work shooting advertisements (apparently more than ...
Aag: fire. In this Early Raj Kapoor Movie, fire is a symbol of love, naturally, but also creation and destruction. It is fit that this film stands at the beginning of Raj Kapoor’s career (his ...
I’d seen other films with her before, but I really discovered Tabu thanks to Cheeni kum. “Cheeni Kum” means “less sugar”. And that’s what Bollywood has to offer with Tabu: a less sugary actress! ...
Of all the commentaries I have read about Kamal Amrohi’s 1972 movie Pakeezah, this one (Upperstall.com) corresponds most to what I thought of it : “Pakeezah is a stylized, larger than life ...
Kasauli, Himachal Pradesh, 1977. Nanda Kaul, an old solitary lady lives in her house on the mountainside. Something depressing about her presence there, as if she was hiding away from some ...