Let's talk about Bollywood!

Of Arundhati Roy’s very personal novel, no doubt much has been said. In the edition that I have, reviews have been put on the first pages, celebrating its magic, its mystery, its powerful rhythm, its innovative structure. Well, I must say I was slow at...

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Those who have read this blog for some time know that I had loved Monsoon wedding , that little gem of a film, and well, I’ve recently watched Salaam Bombay and The Namesake, along with Mira Nair’s 1985 documentary on women strippers, Indian Cabaret:...

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Another classic ! Raj Kapoor (actor and director) and Nargis are once again at the top of their art, and create a masterful, a superb story of love and temptation, of self-deception and redemption. Not only is the story a moving and profound parable on...

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Rakesh Mehra’s cult movie left me in two minds. I certainly appreciated the fact that for Indians in today’s society, something urgent and drastic has to be done if the democracy must move away from the scourge of corruption and nepotism. We’ll come back...

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Let's start by saying I don’t like Aamir Khan. I don’t like him because he’s bossy, because he’s arrogant, because he’s superior. Somehow I never feel at ease with him. He makes me tense; he obliges me to rise to his level, whereas I prefer actors who...

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At the bottom of page 511 [1] of Rohinton Mistry’s novel “A Fine Balance”, one can read the sentence: “the lives of the poor are rich with symbols”. One might just as well say: the book of the poor, not forgetting the fact that the book is indeed about...

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Here’s an unassumingly important little film. Shonali Bose's Amu is a kind of a detective-story, with young Indian expat Kajju coming back to the country she’d left when she was 3, and discovering about her past. We follow her as she little by little...

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I would like to start this review by quoting what IMdB user nmainkar has said here. It’s so well said that I can’t parallel it: Deewaar is, in one word, taut. From start to end, the movie is unrelentingly tense, tight, somber and serious but the seriousness...

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Suniel Shetty will remain for me the rescuer of certain boring films such as Umrao Jaan and Main hoon na. Thanks to him, I have found an interest in those poor productions. Watching him cast his back eye and his disdainful sneer has more than often thrilled...

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I was wondering whether I should « do » something for Ash’s birthday… Well, as you can see, I am, in spite of misgivings coming from … various parts. Looking for something to say, I have watched some videos again, and… there! I thought that if you didn’t...

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I am thrilled to say a few words about Madhuri Dixit. And not only because we are in an expectant Madhuri-comes-back period, with Aaja Nachle in the wings. Ever since I saw her in Devdas, where she outshines Ash Rai (well, a few more words on this later),...

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Film after film, I have learnt to rejoice when they feature this delightful comedian, Anupam Kher. He went at first unnoticed, in the shadows, at the back. He was part of the sets. Then role after role, I remember I started smiling to myself: hey, it’s...

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Guru Dutt’s Pyaasa (thirsty) is so consistently lauded that it’s rather daunting to start talking about it. All the reviews I’ve read about it were superlative. Everybody says what a landmark it has been, what wonderful music it displays, what poetry...

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Hi everybody, I'm interrupting my comments of personal stuff to let you know of A2line's initiative, a very nice selection of songs from various authors, her favourite pieces, all directly available a click away. If I were you, I'd go and have a look!...

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R.K. Narayan’s “The painter of signs” is a real pleasure to read. Set in the imaginary Southern Indian town of Malgudi, this novella captures the mind by its evocative aloofness, its lighter-than life clarity. It is the story of Raman, a sign-painter,...

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