film reviews

When I first watched this 1982 movie by Mahesh Bhatt I knew it was a good one, so many people had written so already. I knew that the main roles were exceptional, Shabana Azmi (Pooja) and Smita Patil (Kavita) leading the team. But Kulbhushan Kharbanda...

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Even today, I suppose all India is bracing itself, preparing itself and half-hoping that it will not come that soon, not just yet: he might still live twenty more years, mightn’t he? Our king is such an indomitable man, why fear? But then we’re all, all...

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In the Mahābhārata, Gandhar i voluntarily blindfolded herself throughout her married life. Her husband Dhritarashtra was born blind, and on meeting him and realizing this, she decided to protest silently by blindfolding herself. (source: Wikipedia – Jatland.com...

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I thought at first I wouldn’t have much to say about Peepli live (Anusha Rizvi, 2010), but as I started writing, the following article poured out very easily! I had told myself that the film wasn’t much more than a properly engineered denunciation of...

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What is the soul of poetry? Isn’t it a kind of universal music which, universal as it is, springs fresh and clear from a homely and unique source of inspiration? When Tagore writes: Nahin kisi ko pata kahaan mere raja ka rajmahal Agar jaante log, mahal...

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The cinematographic monument Mera naam Joker, which was directed, produced and starred by Raj Kapoor took 6 years to complete, cost millions and was a catastrophic flop when it came out in 1972 (see the wikipedia page ). No wonder: the first version was...

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I owe Sharmi an IOU because she’s the lover of “threadbare movies” who watched and beautifully reviewed Satyajit Ray’s Kanchanjangha (1962) on her blog and made me want to watch it! Well, everybody whose review I read ( check here and here ) calls it...

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I have read so often about Raj Kapoor’s last movie, Ram teri Ganga maili (1985, Ram, your Ganga is sullied), that I wanted to have a personal opinion about it. The movie has itself been sullied as obsessively concerned with Mandakini’s nakedness and the...

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Abhijan (the Expedition, Satyajit Ray, 1962) is the story of Narsingh (dependable Soumitra Chatterjee), a Kshatriya taxi-driver, who after having had his professional license taken away from him for imprudent overtaking, becomes jobless, and heads towards...

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Bimal Roy’s Parakh (Test, 1960) is an experiment. Not so much in democracy, as some people say, even though they’re right, it does contain an implicit criticism of democratic processes, but this is only a side-issue. It’s an experiment in morality or...

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Tere ghar ke samne (1963) has a Molièresque quality to it. I don’t know if English-speaking readers know about Molière, but this story of two young lovers who want to marry in spite of their cantankerous fathers immediately made me think of L’Avare, or...

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There are some films I watch where I have to struggle to find information and reviews. As soon as they are gone from the screens (not to mention movies from the 50s or 60s!) it’s like you are unearthing archaeological artefacts. With Deepa Mahta’s Fire...

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Gulzar’s acclaimed Achanak (Suddenly, 1973) suffers from a bothersome defect, its well-meaning intentions. The film contains much worth, but it is too preoccupied by the demonstration process for its own good. What a film says is as important as how it...

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Ray’s 1956 Aparajito (Unvanquished) enters triumphantly the collection of my best loved films, and effortlessly so. It’s been some time I’d watched Pather Panchali and I don’t remember everything about it, but I do recall enough to connect it with Aparajito’s...

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C.I.D (Raj Khosla, 1956), starring Dev Anand, Shakila and Waheeda Rehman, unlike some other classic golden-age B’wood stuff, has been amply reviewed, and very aptly so too. Leading the gang is Corey Creekmur, at UIOWA.edu , who writes an extremely well-informed...

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