Publié le 16 Février 2009

Khaled Hosseini is not an Indian writer, but an Afghan-American writer. But having read The kite runner (2003), I wanted to include my review of it here, because it’s a book about the region, and I know that a lot of people have read it in and around...

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Publié le 8 Février 2009

Mother India…That title resonates like everything a Bollywood-lover should pine for: aren’t we all somehow in love with Bharat mata? Aren’t we all her children up to some extent? As for me, I’d say that ever since I’ve been writing this blog (more than...

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Publié le 2 Janvier 2009

I don’t know how many of Raj Kapoor’s movies are called “his best”. This one belongs to that collection, judging by most IMDb user comments (on the other hand, very few bloggers have written about it…). Sangam (“Confluence” in English), which came out...

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Publié le 2 Décembre 2008

The critical fame of Teesri Kasam, the 1966 film by Basu Bhattacharya, starring Raj Kapoor and Waheeda Rehman, is absolutely justified; it’s a tale of love and sadness, of beauty and melancholy; it enchants you, it pulls you along, it arrests you: in...

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Publié le 24 Novembre 2008

« Meenaxi, tale of three cities » by M.F. Husain (2004), is exactly that, a Bollywoodian befuddlement. The film is a pathetic attempt at building “something else” than a traditional love-story, and, because of lack of inspiration or lack of artistic common...

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Publié le 18 Novembre 2008

Well! I’m pleased to announce that I too have escalated the Everest… Er, I mean I finally read Vikram Seth’s 1472 page novel “ A suitable boy ”, and that it has been a fascinating experience: thanks M. Seth! Such a length is said to be unparalleled in...

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Publié le 13 Octobre 2008

While I was reading about Satyajit Ray’s Charulata (1964), and thinking of Pakeezah (1972), critics mentioned Abrar Alvi's (or Guru Dutt’s - he apparently was almost as much behind the camera) Sahib Bibi aur Ghulam (1962) as a paradigmatic sort of film....

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Publié le 4 Septembre 2008

What attracts one to Juhi Chawla is her absolutely irresistible smile. Okay, she was “only” a Miss India (1984), but frankly, Yash Chopra’s idea to cast her as Shahruhk Khan’s idol in Darr is not a bad one, far from it. I believe one can really fall passionately,...

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Publié le 28 Août 2008

The Stranger (1991) is an atomic experiment. Satyajit Ray imagines what might happen when a normal urban family of three (the target) is bombarded with a high-energy free electron in the shape of a long lost uncle who enters their lives from outer space,...

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Publié le 22 Août 2008

Here’s another beginner – after Aag – Shyam Benegal ’s first long feature film shot in 1973, after he had finally got enough appraisal for his work shooting advertisements (apparently more than 900 !) and documentaries. Ankur means “seedling”: some people...

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Publié le 12 Août 2008

Aag: fire. In this Early Raj Kapoor Movie, fire is a symbol of love, naturally, but also creation and destruction. It is fit that this film stands at the beginning of Raj Kapoor’s career (his first movie as an adult was in 1943), since there is a strong...

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Publié le 31 Juillet 2008

I’d seen other films with her before, but I really discovered Tabu thanks to Cheeni kum. “Cini kam” means “less sugar”. And that’s what Bollywood has to offer with Tabu: a less sugary actress! With Tabu, the sweetness of many other mainstream actresses...

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Publié le 22 Juillet 2008

Of all the commentaries I have read about Kamal Amrohi’s 1972 movie Pakeezah, this one (Upperstall.com) corresponds most to what I thought of it : “Pakeezah is a stylized, larger than life mythicization of the familiar tale of the prostitute with the...

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Publié le 10 Juillet 2008

Kasauli, Himachal Pradesh, 1977. Nanda Kaul, an old solitary lady lives in her house on the mountainside. Something depressing about her presence there, as if she was hiding away from some family secret. The house: a witness of generations of Colonial...

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Publié le 3 Juillet 2008

It’s become a recurrent syndrome: I need a second viewing or reading to appreciate some of India’s prominent masterpieces! (For it has been recognised as such, see this link , or this one for example). This has been very true for Charulata (charu = attractive,...

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